Stop listening to jazz

Strangely enough, right singers love to blame the Jews of the Frankfurt School for the dissolution of Western high culture, when, in fact, they were the (only) ones to defend it to this extent.

That's a specious argument since both Evola and Gramsci agreed on the toxic influence of music of so-called Black origin. CG Jung also expressed similar thoughts.

As a said, "to this extent". Few modern philosophers attacked black music with such vigor and focus.

Read the Prison Diaries attentively, then take a look at the chapter on Jazz in Evola's Ride the Tiger as well as his essay Negrified America.

>right singers

You mean /pol/

>CG Jung also expressed similar thoughts.
source?

If you haven't listened to Mingus' entire catalogue by the time you're 16 you should just off yourself, this world doesn't need any more brainlet plebeians.

‘Mind and Earth’ (1931), in the Collected Works of C. G. Jung, Volume 10.

>“Another thing that struck me [in the American] was the great influence of the Negro, a psychological influence naturally, not due to the mixing of blood. The emotional way an American expresses himself, especially the way he laughs, can best be studied in the illustrated supplements of the American papers; the inimitable Teddy Roosevelt laugh is found in its primordial form in the American Negro. The peculiar walk with loose joints, or the swinging of the hips so frequently observed in Americans, also comes from the Negro. (Note 3) American music draws its main inspiration from the Negro, and so does the dance. The expression of religious feeling, the revival meetings, the Holy Rollers and other abnormalities are strongly influenced by the Negro. The vivacity of the average American, which shows itself not only at baseball games but quite particularly in his extraordinary love of talking – the ceaseless gabble of American papers is an eloquent example of this – is scarcely to be derived from his Germanic forefathers, but is far more like the chattering of a Negro village. The almost total lack of privacy and the all-devouring mass sociability remind one of primitive life in open huts, where there is complete identity with all members of the tribe.”

also related: web.archive.org/web/20141108100127/http://thompkins_cariou.tripod.com/id119.html

He never impiled it was toxic

No, he just didn't consider Americans to be European at all given their inner negrification. That music is one vector for this transformation is implied.

>tfw Jung invented the le 56% amerimutt meme before Veeky Forums

I'm 99% sure a jew wrote this post. The lie presented as truth.

holy shit lol. America is literally one giant African village. this is spot on

You have to look at the curious points where Jew haters and Jews agree. You'll probably learn something about both groups.

t. Jew hater

lolol

What was Freuds thoughts on the negro?

Correction, it's in the Prison Letters, vol. 1., pages 179-180.
Not sure. Presumably not very flattering.

No Western man at that time had particularly interesting views about Blacks. They were seen as lesser, exploitable breed.

John Coltrane is just as good as any modern composer

...

>Gobineau
>uninteresting
Pick one.
>The negroid variety is the lowest, and stands at the foot of the
ladder. The animal character, that appears in the shape of the
pelvis, is stamped on the negro from birth, and foreshadows his
destiny. His intellect will always move within a very narrow
circle. He is not however a mere brute, for behind his low
receding brow, in the middle of his skull, we can see signs of
a powerful energy, however crude its objects. If his mental
faculties are dull or even non-existent, he often has an intensity
of desire, and so of will, which may be called terrible. Many of
his senses, especially taste and smell, are developed to an extent
unknown to the other two races.

The very strength of his sensations is the most striking proof of his inferiority. All food is good in his eyes, nothing disgusts or repels him. What he desires is to eat, to eat furiously, and to excess ; no carrion is too revolting to be swallowed by him. It is the same with odours ; his inordinate desires are satisfied with
all, however coarse or even horrible. To these qualities may be
added an instability and capriciousness of feeling, that cannot be
tied down to any single object, and which, so far as he is concerned,
do away with all distinctions of good and evil. We might even
say that the violence with which he pursues the object that has
aroused his senses and inflamed his desires is a guarantee of the
desires being soon satisfied and the object forgotten. Finally,
he is equally careless of his own life and that of others : he kills
willingly, for the sake of killing ; and this human machine, in
whom it is so easy to arouse emotion, shows, in face of suffering,
either a monstrous indifference or a cowardice that seeks a
voluntary refuge in death.

Was this limited to Americans or were Canadians included in this?

well, you see that Adorno was not talking about Jazz as you and me understand it, but the recently commercialized practices of the exotic negro. Stop shitposting and actually read his works.

>were seen
user I....

Jung never ceases to make me smile. Truly a world treasure.

>In the Life and Work of Sigmund Freud (1957), Ernest Jones, Freud's eminent biographer, reports that in 1924 Freud rejuvenated an "old joke" by referring to an American patient as "his negro" (Vol. 3, 105). Jones explains that Freud's use of this "strange appellation" dated back to 1886. . . .For when the joke leaked into the public domain and materialized also in 1886 as "a cartoon in the Fliegende Blatter depicting a yawning lion muttering 'Twelve o'clock and no negro'," Freud identified with the lion and produced a new rendition of the joke by conflating it with the cartoon (Vol. 1, 151). . . .The old joke must have delighted Freud because, as Jones reports, Freud told variations of it to those in his inner circle for several decades.
>Freud, in Totem and Taboo, refers to “the Negro races of Africa” (and others) as “uncivilized” (pep-web version, p.11).

Wtf i love jung now