Are there any quirks of yours that seem to seep into all of your works? This can be either good or bad. A stupid example being:
>incorporating your degenerate fetish into the story, as a laugh or not
Are there any quirks of yours that seem to seep into all of your works? This can be either good or bad...
Yeah my autism
Flowers, I always wind-up having a flower.
I've been told that I sometimes try to compress too much information into my essays. And I understand that complaint. Whenever I write on a subject I take information from another subject and since that is another subject, I feel the need to give the information context, so I write it down, then more and more.
Also the footnotes.
My morality, which is quirky at best.
Even the act of writing brings about the strangest revelations.
Well, I can't seem to write discussions. Instead, my characters have internal monologues and deep - or mistaken - realizations upon either reminiscing the words they hear.
Kinda like me, really.
The only alternative is when either I or my characters have alcohol.
>upon either reminiscing the words they hear.
...or seeing something remarkable that other characters ignore or take for granted. A beautiful Vista, the starry sky or an event that takes a different kind of grip on the others.
>1 a main character has a name that starts with E in every story.
>2 I don't draw attention to it, but I like making one character (usually the main character) a really effeminate male.
>3 There's always one badass, masculine female in the main character lineup.
Guess what my fetish is.
I start them, realize they're shit, and abbandon them although i don't get rid of the manuscript, as i like to tell myself i might get back to them
are you Louie ck?
that would be something i'd like to read
>Guess what my fetish is.
Sucking dick and being a fag.
(Easiest question ever.)
lots of rape tbqh
if I were to ever publish my shit I would definitely do it under a pseudonym
I like to put a lot of wordplay and puns into the prose, as subtly as I can. Often multilingual puns, with as many different layers of interpretation as possible. They add to the text but they're not strictly necessary for enjoying it.
It's just how I amuse myself.
no
ouch.
actually it's role reversal, but good guess
>Freak protagonists, in the sense that they're either deformed, disabled, mentally ill, or mutilated in a permanent way, like a blind person or someone who had partially experienced forced gender reassignment.
>The woods.
>Some object or figure that the is imbued with symbolic meaning by the protagonist, like a highway which separates the past of comforting ghosts from the lonely present.
>And waifus, typically tomboys and chubby edgelords.
Same happens to me. People have said that my essays are very erudite, but that means nothing when I can't convey my ideas in a straightforward manner.
I always put casinos in my stories. It's just my favorite sort of location for some reason.
>someone who had partially experienced forced gender reassignment.
W-what?
>Father is good surgeon.
>Wanted son.
>Didn't get son.
>Tried to make son.
>"Son" runs away before the transition is finished and lives in the streets in what is essentially a nameless german/austrian city in the early 20th century before the nazi's went full throttle.
Actually I'm taking back the german/austria thing. The city isn't explicitly anywhere except a vague post-ww1 european nation that's run by the corrupt and teeming with fags, fascists, and the far left