Are there any quirks of yours that seem to seep into all of your works? This can be either good or bad...

Are there any quirks of yours that seem to seep into all of your works? This can be either good or bad. A stupid example being:
>incorporating your degenerate fetish into the story, as a laugh or not

Yeah my autism

Flowers, I always wind-up having a flower.

I've been told that I sometimes try to compress too much information into my essays. And I understand that complaint. Whenever I write on a subject I take information from another subject and since that is another subject, I feel the need to give the information context, so I write it down, then more and more.
Also the footnotes.

My morality, which is quirky at best.

Even the act of writing brings about the strangest revelations.

Well, I can't seem to write discussions. Instead, my characters have internal monologues and deep - or mistaken - realizations upon either reminiscing the words they hear.
Kinda like me, really.

The only alternative is when either I or my characters have alcohol.

>upon either reminiscing the words they hear.
...or seeing something remarkable that other characters ignore or take for granted. A beautiful Vista, the starry sky or an event that takes a different kind of grip on the others.

>1 a main character has a name that starts with E in every story.
>2 I don't draw attention to it, but I like making one character (usually the main character) a really effeminate male.
>3 There's always one badass, masculine female in the main character lineup.
Guess what my fetish is.

I start them, realize they're shit, and abbandon them although i don't get rid of the manuscript, as i like to tell myself i might get back to them

are you Louie ck?

that would be something i'd like to read

>Guess what my fetish is.
Sucking dick and being a fag.

(Easiest question ever.)

lots of rape tbqh
if I were to ever publish my shit I would definitely do it under a pseudonym

I like to put a lot of wordplay and puns into the prose, as subtly as I can. Often multilingual puns, with as many different layers of interpretation as possible. They add to the text but they're not strictly necessary for enjoying it.
It's just how I amuse myself.

no

ouch.
actually it's role reversal, but good guess

>Freak protagonists, in the sense that they're either deformed, disabled, mentally ill, or mutilated in a permanent way, like a blind person or someone who had partially experienced forced gender reassignment.
>The woods.
>Some object or figure that the is imbued with symbolic meaning by the protagonist, like a highway which separates the past of comforting ghosts from the lonely present.
>And waifus, typically tomboys and chubby edgelords.

Same happens to me. People have said that my essays are very erudite, but that means nothing when I can't convey my ideas in a straightforward manner.

I always put casinos in my stories. It's just my favorite sort of location for some reason.

>someone who had partially experienced forced gender reassignment.
W-what?

>Father is good surgeon.
>Wanted son.
>Didn't get son.
>Tried to make son.
>"Son" runs away before the transition is finished and lives in the streets in what is essentially a nameless german/austrian city in the early 20th century before the nazi's went full throttle.

Actually I'm taking back the german/austria thing. The city isn't explicitly anywhere except a vague post-ww1 european nation that's run by the corrupt and teeming with fags, fascists, and the far left