How do I get into Hollywood as a producer? Assuming I have the cash how do I find scripts/directors

Your question was answered.

Take it from someone who worked in film for years and has family in the business. It's time for you to shut the fuck up now.

>It's time for you to shut the fuck up now
kek you are a moron

>ywn get to BREED victoria justice
why live?

>>who is shane carruth
Who is he indeed is the question most people would ask, I know he's done a couple of indie-sci-fis films, but I've never seen them.

Malick doesn't use his own money on productions.
Not even Stanley Kubrick, who got 50% of the box office of A Clockwork Orange funded his own films.
Spielberg could fund his own films but he doesn't

Hire me. I went to the same College as Nicole Kidman and a bunch of other famous show biz ppl.

>OP gives it a shot anyway
>10000 hours of watched porn gives him edge in industry
>major success

As far as I know there is only one other person on this board who worked in film and I don't see him posting.

SO GOOD LUCK! I'M SURE YOU'LL BE A BIGTIME PLAYER SOON.

Oh hey one quick little tip for you, unless you have some specific knowledge or assistance for the film in question then you need to be putting up at least part of the money for the film. That barrier starts at about 5 million. And that's if you wanna do a small budget film.

So I'm sure you have millions of dollars and decided Veeky Forums was the best place to find entertainment industry professionals to create the next mega blockbuster.

Family connections through jewish relatives

Okay user I'll give you the dumb down version - this is assuming you have at least 1 million to plonk down.
>Buy a "property" (i.e. a treatment, a spec script) and have it "developed" (i.e. turned into a filmmable script). You want to find something that actually has an audience, and is cheap to shoot.
>Attach a director. Pick someone who's actually good, preferably someone with a bit of festival buzz, it'll help your film later
>you'll probably also want a Line Producer because if you know nothing about film-making you'll want to leave it in the hands of a professional to find your crew and start costings
>Pre-Production: so that means finding a casting director so you can cast actors, doing "location scouting", constantly drafting schedules and budgets, working out how you're going to fit as much footage into as few locations and days as possible, negotiating with locations. You'll probably also end up hiring a cinematographer and a production designer to help you decide on locations.
>Once you've sorted out your cast, and "key creatives" (i.e. director, DOP, Production Designer etc. etc.) you can now try and get the rest of the crew: grips, camera operators, gaffers, makeup artists, special effects artists, drivers, caterers, electricians. Where you're going to rent generators, trailers, filtered water, vintage cars, costumes, etc. etc.DON'T PLAN SPEND ALL YOUR BUDGET YET. You also need to find an editor and a post-production facility
(Contd. 1/2?)

(2/3)
>Shoot the damn film!!!
>Make sure you have someone doing "press" at this point. Running social media, uploading behind the scenes photos, and most importantly: getting EXTRA footage. In fact, budget in time and money to spend shooting "bonus material" for your "EPK" (Electronic Press Kit) and just general promotion
>Post Production. Hopefully you've already worked out and budgeted for all the people in this stage. Now you spend around 3 months cutting, mixing, and grading the film. WHILE YOU DO THIS you should have a PR firm or even just you or a Communications Graduate running a social media campaign, ideally you'd have a graphic designer who's made a huge array of graphic elements form all those behind the scenes photos you shot, made a slick poster and other paraphernalia.
>You also want to start making a "PRESS KIT" and a "EPK"
(Contd.)

(3/3. Final.)
>Strategy: now remember when I said don't plan to spend all your budget yet, that's because if your film cost 1 million dollars, you should expect to spend at least 500 thousand on promotion and marketing. That's important that money will go towards printing up press kits, flyers, posters, buys ads, billboards (people associate films on billboards with "legitimacy")
>Which publications, blogs, news sites, reviewers will you pitch to? Make a huge list, canvass
>Is a Festival Strategy important: do you aim straight for the top: Cannes, Venice, Sundance etc. or do you start smaller and build momentum? If you're film is niche, let's say it's a film with a gay romance, obviously you hit the LBGT circuit, if it's about say a Syrian Refugee, then "Human Rights" festivals. KNOW YOUR MARKET.
>Get rejected by many publications and festivals. But hey, hopefully some will accept you, some you didn't expect. This often causes a lot of Sophie's Choices as many festivals want right of "premiere"
>By now you should be screening the film, either in a "self-distributed" strategy where you rent out theaters, promote them locally in the town, and take the money from the ticket sales or through festivals
>Ideally now your film should have some buzz, some momentum, there's two really important things you need to do now
>START DEVELOPING YOUR NEXT SCRIPT
>TALK TO SALES AGENTS IN DIFFERENT TERRITORIES ABOUT BUYING YOUR FILM. You may be able to sell the rights to German TV, but make sure you have the film transcribed and subtitled into German, which costs a lot of money. Maybe there's an exhibitor who is playing a whole season of similar themed films who knows the audience.
So yeah, you start again... hopefully one day you make a profit. But producers almost never do.

>how do i find scripts/directors
>in hollywood
Is this a fucking joke? Have you been to LA? Throw a fucking rock and talk to whoeever it hits

True, but where do you find marketable ideas?
Better yet, where do you find marketable ideas and screenwriters who can do it in a way which realizes the idea in a way which translates to screen easily both aesthetically and financially?

No one wants to see another Quentin Tarantino rip-off or another hamfisted attempt at Spring Breakers.