Poetry critique thread. Reply to others to get critiqued.
If the moon smiled, she would resemble you. You leave the same impression Of something beautiful, but annihilating. Both of you are great light borrowers. Her O-mouth grieves at the world; yours is unaffected,
And your first gift is making stone out of everything. I wake to a mausoleum; you are here, Ticking your fingers on the marble table, looking for cigarettes, Spiteful as a woman, but not so nervous, And dying to say something unanswerable.
The moon, too, abuses her subjects, But in the daytime she is ridiculous. Your dissatisfactions, on the other hand, Arrive through the mailslot with loving regularity, White and blank, expansive as carbon monoxide.
No day is safe from news of you, Walking about in Africa maybe, but thinking of me.
Wyatt James
I cringe for thee, for pity's sake I contort my face in anguish at thee.
Michael Gutierrez
Street lamps are playing silent While they feed me with delightfull light Again, the street cats being violent I can feel, it's almost midnight
Ian Cooper
you can't make a living under a rock unless you're an insect or some sort of worm
Austin Bennett
And the single strand of marine trumpets
Alexander Lopez
"Living side by side with desire, and not through it, is unbearable. 'Excommunication'. Where by the time of sound, the privilege of meaning is revoked from the letter of language. Nothing is safe from this accusation; hysteria in feeling, turbulence in joy.
Sight, sound, sense and smell.
Bourgeois. Luck and fantasy. Detachment.
Excess. "Tears that weep".
Silence. Suicide and unhappiness. And suicide.
A fitting end to an unfit person. An ideal that is most ideal.
A page of errors.
A want. A delusion.
Dream. Sleep, desire, and dream. How malcontent, I seem."
Carson Lee
I threaded my fingers through the knots in your spine untangled the webs left by cunning spiders in your heart who sought only to feast on your kindness.
I am different I am the caterpillar who drags his cocoon from a noose of fine silk if you let me in I am ready for you to change me
Leo Robinson
This is prose.
Use punctuation; it directs flow. As it stands, your poem feels jerky and strained. The imagery in the first stanza is solid until the last three lines; they are a bit too much at once. Expand on them a bit. Also, the two stanzas aren't connected except for the "insect" theme - what quality of hers can change you? A conceptual link would be nice. I think the last two lines are the main problem; they drop the theme and stand naked.
>Of something beautiful, but annihilating What does this have to do with the moon? Make the link, if there is one, clearer. "annihilating" doesn't fit here, isn't an adjective and is clumsy used as one. >The moon, too, abuses her subjects Expand.
>expansive seems out of place. There's a clash of imagery. What's expansive about a letter? Elaboration is needed.
Kayden Gutierrez
I love tretheway!
The clear Plath influence serves this piece well, but I worry that the first line is a bit prosaic. >Her O-mouth is an awkward phrase with brilliant content, I would strongly encourage re-framing there.
>The moon, too, abuses her subjects, this line feels tell-y, like you don't trust the reader to onfer that through your very strong diction already. I'm not sure its necessary at all.
>White and blank, expansive as carbon monoxide. I love Birthday Present too, user.
This was a great piece to read, I'm glad I got to.
light and midnight is a wrenched rhyme and it destroys the sonics of the piece.
pessimistic, one-dimensional, and cliche
>of meaning is revoked from the >letter of language. Nothing is safe this line shows a certain oversight into the importance of line-breaks. I would encourage you to push your line-breaks (and by extension your poetry) farther.
Jeff Mangum are you okay? he second stanza is a huge improvement over the first stanza. Work on showing that same level of clever-ness with your setup lines.
Camden Parker
This thread is fucking embarrassing. All of you need to learn to be more subtle. Show, don't tell.
Leo Ortiz
Duly noted, thank you guys.
I know the last two lines are terrible. But I wanted to avoid using "metamorphosis" or at least avoid any sort of biological term
Zachary Butler
either post a piece you've written to show us why we should listen to your generic anger, or give detailed advice.
I'm btw and I'm fairly comfortable that my piece isn't 'embarrassing'
Bentley Collins
Pretty conventional muh depression stuff but the part about suicide is cringe. Was that supposed to be ironic?
Camden Jenkins
Does your real life first name start with the letter C?
Blake Long
im gay
Liam Lewis
Mine doesn't
Caleb Bell
slight edit
nope
I like this, but I have no idea why. The repetition of "lilting" is a bit annoying.
Lucas Lopez
>why should I rhyme >why should I follow any form >why should I be consistent will meter >I'm a fucking artist bitch I'm not reading your unreadable cringey love letters you fucking cucks
Eli Gutierrez
here's some hyper-formalist poetry I'm working on if that's what you want. I made the meter myself
Ethan Jones
Hope nobody gets angry I didn't "criticize" any poems, I'm terrible at that. But as a whole I think each poem in this thread has a particularity that sets it appart in a good way. Yet. I'm an extremely nice guy and I can't really say bad things about stuff...
Landon Gonzalez
goddamnit, I meant thing* in the pic
Brody Gray
>I should use archaic language and overdone themes because it's "poetic" End yr life
Jace Hall
no
Liam Perez
shit, uploaded the wrong picture before. edit yeah it's easy to write bad poetry but >prescriptivism not helpful.
Jose Barnes
There's a darkness inside the soul, A darkness that is so cold - I wish it was the night I knew, for then I might just laugh with you. I speak not of isolation, Nor of hate frozen down to desolation. I talk not of angst and the bitter lose, zero too of pain one didn't choose. It's a darkness that gnaws, a darkness that feeds, a darkness that knows a darkness that needs. A darkness that is, a darkness that ain't, a darkness that grows, a darkness unfaint. A darkness stark a darkness old a darkness blue a darkness told. A darkness there a darkness then a darkness now a darkness when. A darkness and a darkness or a darkness if a darkness nor. A darkness A darkness a Darkness A
Lucas Wilson
Tear me up.
Proposition: Life is a Pretty Girl Feeding Pigeons
As the movements of the sea-font May mirror themselves in sprinklers’ turns, So Life’s indifference may be found In her, and in her pupils’ urns.
But starker are those shallow figures Of doves’ or pigeons’ painted eyes; Giaconda’s shallow as she lingers, And as her Lie devours lies.
For after Summer comes, (when Life Is fullest of her mysteries) Comes Winter, when no eye may lift— And comes directly, sans surprise.
No doubt, she is most true in Summer, When strange inscriptions crowd the skies; When palmy bread is set to simmer; When hardy reptiles clasp her thighs.
But Winter, when the birds her cover, And bread is scarce withheld with shallow eyes, She seems both heir and sovereign mother To all that kills and dies.
Brody Turner
When did you lose your genitalia?
Thomas Gray
Do your worst Veeky Forums I can take it
The Cat’s Tongue
Not any song he heard before, Least not the rustling leaves long dead, Nor call of instinct to explore, Could lay his pensive thoughts to bed. For all he knows of birds and fish, Of flies and wings which flutter by, Of grass and mice within the brush, It fails in helping tame his eye. Those little things he stops to see, The sparks of dreams, imagination, Remain as signs alone for he, Estranged by human limitation.
Jacob Watson
You're a goddamn idiot.
I like your spondees. I feel like they're kind of hard to pull off without seeming too try hard. It makes me really sad to hear what should be considered the norm called "hyper-formalist"
Really enjoyed this user although it could use a little tweeking to make it sound a bit smoother
Great imagery. Could benefit from some addition of some structure/punctuation
What archaic language do you think is used exactly? Poetry needs some semblance of form
2edgy5me
has potentially but needs to be refined
Robert Evans
Don't call him stupid, He's fragile, you know, He's beautiful Tell him the churning sparks Rapture in him, Stem first blooming, Pricking trenches raw So the roots may stay
You love him like you forget to, He is lonely, He wilts in February Remind him of summer When he dies at night, When he slows his veins With the charr of rye And tars his breath To keep the rabbits out
Early garden, He is addled, but He grows in you
Jonathan Murphy
Looks ugly and sounds ugly.
Kayden Thompson
Couldn't you have started with your own poetry? This is among Plath's better poems
Ethan Ward
That's an excellent poem, in my opinion.
Do you know what syllables in particular should be stressed? Because as is, lines two and four don't cooperate with each other very well.
Bentley Bailey
lol sad I didn't catch that, but instead thought they were borrowing from her. :(
Jason Morales
I like this, but I think the last line needs some reworking or punctuation (I mean, it's far too ambiguous what you're feeling...)
Here's one I wrote this morning
Humming roar of engines And paradise birds singing Fills the quiet morning Of the minute hand's meandering Measur'd in cups of tea and Longing looks of leaving.
There's too many '-ing's I know, haven't quite finished but would appreciate any comments!
Nolan Green
a drab butterfly draped in a perverse knowledge steeped in soliloquy the certainty of perpetuity the ferocity in tenderness ringing ringing ... ringing STOP! an unyielding landscape a fleeting midsummer morn the sparrow's song spiraling obstinately suggesting solace in disquiet
Leo Thompson
I wrote this after reading alot of Final Harvest and basically trying to emulate Dickinson. I also don't write a lot of poetry.
Though my life has always been But a little trifle I find I cannot emphasize How much progress has been stifled
Though I would love to hear Sweet satisfaction in my ear The present sound of - Discontent Will always make me lament-
For the future that never was For the past that’s lost These things they do consume me The sun that wanders in the sky Forever-lost!
Justin Powell
I dont know how much you care about meter but youre very close to having some nice iambs going there. Not sure why measur'd is shortened, that technique is usually used to conserve syllables. As a it stands it could use a bit more substance to it. The real zinger line is the "longing looks of leaving" because it is the only one to really provide any emotional insight, but it hasnt been set up very well. Also not sure if "quiet" in the third line is intentionally contradicting.
Jaxson Sanders
My disposable kodak is out of focus and my Bible themed Jumanji is spraying locusts after my last turn waiting for a Caligula dice roll or a pop from CERN.
The peppercorn tree in my parents front yard is riddled with squirrels unlike my bed with girls— "the self-reflective all laugh alike," said the audience with a mic moving slowly towards the exit signs placed above empty elevator shafts filled with pools of ravenous piranha and surplus Mardis Gras confetti.
Anyway, you can leave grandpa, the world's already forgotten you.
Noah Adams
Thanks! I've been trying to work on using meter, so glad it's coming along.
Cheers, I'll try and set it up better and yeah the quiet was intentional
Anthony Smith
Tip: when you're stuck, just say something about the weather or birds or some other outdoors shit. e.g.
The mockingjay warbles The warm scents of spring
Nathaniel Jenkins
>Haiku version Molecular dance. Of shared breath and neverdeath, An endless balter.
>Original Dance. Shared breath and neverdeath, Be, please.
Daniel Hughes
The Incongruous Triptych
The average person checks their phone 300 times a day and is a 28 year old Chinese male named Muhammed.
Nobody likes Jazz Fusion, Lisa Simpson, just Metroid.
And I don't know what you heard about me but I'm a motherfucking G-I-M-P, said Kennedy's coin.
Ian Barnes
Kill me later you dirty two-faced no-good double-down trader of time for waste, done in the holy name of haste for which the patient dine deliriously counting the number of times they haven't counted time in numbers padding themselves on the silverbacks pounding their chests full of silver miserly waiting for doomsday, the teleological suitor of smiles that looks just like a cow's colon (:
Evan Young
Tonight the vast sky of the Sahara Is shrouded in a cloak of winter stars - A thin haze of them, Like shadowy ghosts of the sky.
The chill, red sun has sunk below, as Dawn’s famous afterglow deepens, ripples. Evening’s disembodied light drifts into soft moonglow, Lost in the hush of mindless clouds.
In this flat, barren wasteland, Dunes of sand are permanent waves, warbling Towards the horizon where low mountains lie: Guardians of the African desert.
These distant monuments are eclipsed by a far greater presence - A lion, ancient apparition of this earth. Aglow in foam-pale light, it hovers like a phantom, & Gently muses over a figure lost in dreamscape.
There, on soft sand, the sleeping gypsy rests, Wandering neglected sections of her mind, Having searched for some elusive treasure, A holy temple at the desert’s edge.
Illuminated by distant moonlight soft, She is renewed under its gaze. Her shawl wears the colors of rainbow, Vibrant as a prophet holding the promise of rapture.
And while she sleeps, her weary soul is glittered with jewels, A sparkling palace with a thousand gleaming mirrors, Where she feels the pull of heaven’s gravities, And her dreams are veiled under the blanket of the sky.
Jaxon Rogers
Early morning drunk but sobering, Some twilight state: euphoric, ecstatic-sick, Kyle with his arms around his slender shoulders (maybe too young) Reclined on bed on floor.
There were troubles connecting, I had troubles connecting, body not there yet. Inexperience laid paved stones irregular, Wet mouths on half-shorn breast, On towering steel, Manifest destiny in dark halls, In back booth light shows. Skin on fresh-shaved skin without sight, Without sound save the endless call of the cosmic hum, The eternal grasping for real interaction.
Walking on streets: empty and disused, Used bottles, Half-smashed cigarettes smoking in twilight dawn song, Papers, tickets, wristbands, Prescription pill highs not faded, Apartment buildings, uphill, Perspiring in young summer daybreak.
Nascent relationships bloom by night, photosynthesize Darkness in bulbous vegetation; nothing good will come but impermanent goodness, regretful but benignly glowing in The false sun.
Hunter Robinson
I am not my mother, nor my grandmother;
Though they are flowing into me, Into me;
I am not them; and i will not take this beating. Beating down, beating down like the rain
Beating down like the rain without a sound
Bentley Garcia
I like this - I really liked the start, rather strong and direct to the point.
I feel the last line could be stronger; rain is a bit clichéd, but that's fine, just something more descriptive. Good though!
Justin Cox
Déjalo, déjalo, déjalo, déjalo Ay, ay, ay, ay Y de repente: una guitarra Ay, ay, ay, ay Tinta en los dedos, ceniza en los pulmones Para al pensar, en desaparecer, Pareciendo pared Palpitando el placer De: no permanecer Ahí, ahí, ahí, ahí Moviendo un ula-ula invisible, Gira su cintura Al ritmo de los tambores Frente a un público invisible Un do, tré, cuá Debe limpiar, en cuanto salga... El Sol: ja! ja! ja! ja! La mugre que acumula a su alrededor Dejando sucio el interior de - Él, él, él, él Va, va, va, va Suena una guaracha Sin cesar.
Alexander Rodriguez
Made me laugh. It's funny in the way that it's stupid, not some sort of anti-joke (or poem).
Juan Baker
Then a furrow of dustlight Enters then barely crawls across the chambers Just enough for us to make out The Spanish dogs in formation The pluming organ swells coiling around their tongues aloll Held in the slow pulse of anticipation
And in the light their teeth and yours Are the same shade of white And I ache for the bite.
bretty gud, but the first three lines are way too saccharine IMO
Justin Carter
Work in Progress. I think the end needs work maybe?
Xavier Taylor
OP here. Thank you for recognizing the piece. Just wanted to see how stupid the poetry community on this board really is.
Kayden Garcia
I don't know what to make of this
Joshua Morris
i want off this planet
Daniel Butler
A man with nothing left, A true man, well said; A man with nothing left, Has no fear of death.
For to be himself, He must lose any thirst; To be a steel, He must tremble first.
And now this iron man, Has nothing left, Except the will, To conquer!
Tremble, therefore, tyrants of the world, Tremble before man. A man with nothing and no one left, Wretched man, blessed man.
Nathaniel Peterson
...
Landon Perez
>tretheway Who the fuck is TrethewAy?
Jose Nguyen
Antes de mi viaje, emprendedor invisible Será mi deseo, caldera en mis entrañas risibles Que sean las imágenes que retraten mi novela Historia de olvido e infinidad desconocida En mis días que habré aceptada y mal bebida Y encendido en luz oscuridad de vela Lujo entero en vecindad de mi alma
Al saber que la lluvia es buena y trae calma Veo lo suave y se destila en mis manos agrietadas Por sostener alas que nunca volaron Que son cenizas en el espejo de las ramadas En ramas rojas, hojas de navajas cremaron La sombra que dejé en la rama alta.
Henry Kelly
While I sit in some lecture, My mind drifts off- Behind my eyes there is Elsewhere. Other shores under different suns. Daydreams of buying a nice place in Tangiers or attending swingers parties in the Caliphate. There. Staring off into space, while in that classroom, I may find myself in the ultraviolet aisle of a Walmart® searching for the new Chex-Mix® that has valium in it. My weary head might sink back into other visions. I could be sitting on a waterbed while watching Seinfeld; The episode where Jerry woke up and found that he had turned into a cockroach. Scenes that feel like actual memories might approach me. There was that time when someone handed me a pamphlet for the Cult of Cthulhu. I didn’t read it. This continues on and on and on from now until my mind can no longer wander. I sit and think of how many lives I’ve lived outside of this room, and other rooms, and outside of myself. This nebula of Absurdity vibrates back to form and line and order. My geometries go back to being Euclidian. The pilot comes over the intercom and announces an upcoming assignment for the course- and I leisurely float back down into that class.
Carter Scott
Something has stop working with my feeling, nothing is what I hear, I see, I...
God's dung and us, parts of the same being Being... Being! Deng! And what we should do? Eat? Drink? Sex? Sleep? No more. No more! So we're confused, without a way and a destination to go by Hay hay hay chica! Fuck god and it's scum Are we free or are we just slaves of dust? Dah! Dahhhhh! Nah! Wait! No more poetry No more! Ah! This sucks!
Jason Reyes
I'm mundane and boring like a tissue wad people pass me by on the street and don't even notice they don't notice me like most things so I'm in plentiful company what with felled trees and Jupiter's teapots which makes me feel more alone to be in this place full of anonymous people places and things nouns to turn to sand through the hourglass of time where oases look like empty space and gravity pulls all to its deep black center waiting at the end of the line we mistakenly call the wonder of life while we wonder about our mistakes gently pursuing some distraction to for one more day shelve the knife cutting the embroidery away on the curtain that blocks the black from scuttling in and making itself at home in poor form in my form of forms dead and deformed.
Chase Scott
Genius wins, Talent plays, losers commentate.
Logan Cook
I gotta guitar all my own I gotta quarter for the telephone I ain't headed down this highway all alone One two three and maybe four Honey, they're knockin' on my door I know you're gonna miss me when I'm gone
Got no daddy but I got a ma Think she lives in Arkansas Maybe I'll go see her some old day It ain't like she'd really care It ain't like she'd pay no fare But I might just blow on through there anyway
Headed down to Alabam Cause some trouble if I can Aw, buddy, would you like to come along? It's a place I never been And you know I could use a friend They say they'll give us twenty bucks a song
I gotta guitar all my own I gotta quarter for the telephone I ain't headed down this highway all alone One two three and maybe four Honey, they're knockin' on my door You know I'm gonna miss you when I'm gone
Chase Collins
i find this plath poem cringe
Adrian Rivera
There was once a young lad from Veeky Forums Who thought himself a fountain of wit He tried his hand at a poem But wound up bemoaning That all he could write was pure shit
Landon Robinson
srry for misspell headmaster pls don't hit me with the ruler
Cameron Harris
Now THIS is the kind of farmgirl gf I wanted.
Logan Gutierrez
I like all but the first line. You should talk about what solipsism feels like without ever having to use the word, "Solipsism"
I know Veeky Forums deletes lineation in posts, but if this poem doesn't use lineation it would really work in this poem's favor. I really like the idea of this poem though.
Sounds folksy! The last line makes this poem. Maybe try more experimentation with the words you use in future poems.
A little archaic, Quixote.
Owen Green
is there an image anyone in this thread has, like some sort of Veeky Forums recommended beginner poets/poetry books
Mason White
Harvey's a hard Arbor Day martyr barber with ardor. Arbor Day gets harder with Harvey as a martyr. Marty drinks Bacardi with hard martyr barber Harvey. Marty lacks ardor but works at a harbor. Harvey works harder than Marty with his job as a barber. Hard martyr barber Harvey carves no-ardor Marty out of marble. At the end of Arbor Day the hard martyr barber Harvey and Marty drink Bacardi at the harbor
It's meant to be read out loud and make your mouth hurt.
Christopher Evans
I like it, but some of the line breaks are questionable in my opinion.
Noah King
"My heart lays motionless, basking in an unrippled lake of sorrow. Gazing at the clear lilac skies in hopes for descrying when we once were. Our love is but only a few light years away, and what I would give for that presence once more."
Adam Cooper
The pigeon who calls himself an eagle, how God blesses Americans and tortures the rich and preposterous— borders bind the 3rd planets fat like twine in the slow-cooking oven of history and out pops a disco ball sprayed in gold—! How gooey and chewy the center unfolds—! Of mother's achey and valve stinted ticker, of father's fizzling and drained propane grill, of sister's myriad playthings pickled by touch, of brother's terrarium of buried winged wishes— the coastal critters go postal in my vacuum eating away a hole in my apartments damp drywall and somewhere somehow the CEOs David Carradine discovering how twilight fades into an obscurity that burns even the brightest minds of today whenever that is, however it may. C4: blow-up the spryless spies, bingo.
Elijah Hernandez
is this between the spy and medic from tf2
genuinely beautiful
Juan Rodriguez
I need to eat and I need to shit. I need to drink and I need to piss. I need to need and I need to wish. I want to need but don't want this, this desirous tug-o'-war tri-team ripping me asunder taking my number and making me number; so kill me later, always later.
Justin Torres
never played it
but basically it's between my suicidality and perpetual tendency to procrastinate by turning my attention to others while admittedly poorly attempting profundity and comedy and cleverness
Landon Wood
Only good one in this thread.
Caleb Powell
"Afterwards"
Hung on my finger, this teardrop of fat lazes, convulses. It protrudes against my skin, like a child's ever-lasting belly
submerged in its thirst. An extending bellow made sound by its fuliginous junction.
Pouring beneath is a pitcher of faint apple juice: under its sweating and yellow light, I bottle it steadily until the sun rises.
In waiting, my gaping eyes bloom in jaundice as patches of grass.
Blake Torres
It's time to walk to Walgreens fuck to buy some shit for stupid cat He fills his box with turds and piss More than I poop in a month costing me eight bucks a day to cover it and stop the stench
I hate you cat When I come home my house smells like your rancid poop You fucking stupid horrid cat You defy entropy with shit
You permeate my fucking life with stink of cat's damn smelly ass I want to sit inside my room and not be raped by your piss smells
I'm going to fucking throw this cat I'm going to hurl him into things But he's a cat so he won't know That what I'm mad at is his shits
Leo Brooks
>To touch a Woman >By Karêi Rhyce
No ice is colder No water wetter No fire hotter Than your skin’s touch.
You never grow older You only grow better And clearer like water I love you so much.
No words can say No images show That you are really the one
But I look away Keep my head low Or you will notice and run.
Jayden Cooper
Were you to ask me now, I would not tell The road I took to go from Primrose Hill.
Instead, I could tell you about its sky, The blue behind the grey, the hasty clouds, Impatient as the rain that came and went, Announcing itself as it left the stage.
Indeed, I could tell you about the road, The other one, that leads to Primrose Hill: The riverside that outlines Camden Town And extends the hubbub of its market; Tunnels, bridges, graffiti on the walls, And boats resting on water black from dirt.
And even more I could tell you: the church In the corner of a street, made of stone, Its frame as bible black as solid cloud.
And I could tell you about Primrose Hill: The green darkness of the grass, moisty earth, So soft it yields under the children’s feet Yet budges not to hawthorn or foxglove, Nor to the oak with the weight of the crows, The shadows of its leaves, another cloud. Nor to the Hill itself, whose mighty bulk Supports the stony sky, and grants a view Of London’s skyline, limiting the earth To the perspective of the horizon.
And as it gently rained I heard the crows, The rustling wind, the voice of William Blake, The graveness of his tone recalls his talk With the spiritéd sun at Primrose Hill. Yet I remember not the sun, but night, The night of New Year’s Eve, my first night there, In stranger’s land, among far stranger tongues. But Primrose Hill distinguishes us not; It shoulders all: the sky, the clouds, the rain, Three hundred people there, a bench, myself.
But were you to ask me what road I took, I wouldn’t tell, I could not tell, I have forgot. I posted this like two weeks ago in a critique thread and got some constructive criticism. Let me know what you think of it.
Jeremiah Scott
Soon I'll hoist this crooked spine towards canvas And in that motion attempt to shed years Oh dispondency, oh misplaced madness I yearn to set a pace that shakes these fears
How does one become so simply fragile Reduced to surviving upon fantasy For far too long I've echoed selfish song
Determined towards alleviation of The weight of anticipating all things My mind mutters fragmented thought "Please, commence or break me further!"
Enjoy the time you waste they declare Learn to suck this veiled sugar cane Convincingly excited and poised to create I tear at my collar for air