>In a thick drawl he asked, "Please, no tomatoes.", which in his harsh accent replaced the o's in the offending fruit with a's: tamatas.
or
>In a thick drawl he asked, "Please, naw tamatas," his accent harsh when it spoke of the offending fruit.
Basically, do you think its alright to change language to denote accents in dialogue or should it be mentioned outside of the dialogue itself to avoid confusion?
The first sentence is just horrible. Second one is better, but feels like it should still be rewritten. As for your second question, I personally think if you want to show an accent vividly you have to write phonetically otherwise everyone speaks with a generic male or female voice
Evan Smith
>In his thick southern drawl, accented distinctively by a semantic ignorance, he politely demanded, "Please, no tomatoes for me!" upon the offering of such an offensive fruit.
Joseph Cooper
>In his thick southern drawl, distinctively accented by semantic ignorance, he politely demanded, "Please, no tomatoes for me, now!" upon being offered such a personally offensive fruit.
Isaac Garcia
It was only an 'opeless fancy. It passed like an Ipril dye, But a look an' a word an' the dreams they stirred! They 'ave stolen my 'eart awye!
Nicholas Russell
The cockney accent is a blight unto this earth and must be wiped away
Justin Davis
'Thick drawl' and 'harsh accent' is redundant. 'Which' in the first sentence is to be avoided, and the description of the dialect there is awkward. The use of dialect is easily overdone and requires the right touch, otherwise it becomes distracting and off-putting. Dickens is about the only author who carried it off successfully. It's best to just stick it in occasionally. The example in the second sentence, short as it is, is too much.
Consider this: >In a thick drawl that spat out round O's as sideways A's, he rejected the offending fruit: 'Please, no tomatoes.' Among other things, the description of the dialect echoes the distaste for the food being discussed
David Diaz
This yokel honky rube scum told me he didn't like tomatoes.
Anthony Brown
>but feels like it should still be rewritten.
How so?
Jack Ward
to paraphrase Zizek, they're both worse. odds are you're just a bad writer.
Gabriel Green
>First Person
Charles Rogers
>implying me is a first person pronoun anymore
Dominic Young
>>In a thick drawl that spat out round O's as sideways A's, he rejected the offending fruit: 'Please, no tomatoes.' this is one approach but i personally think this style is too literal with the addition of the vowels themselves >Among other things, the description of the dialect echoes the distaste for the food being discussed i disagree. consider this:
>In a thick southern drawl that spat with debasement of comely speech, he rejected the offensive fruit: "Please, no tomatoes."
Carson Myers
"Naw tomaytas, please?"
Ryan Nguyen
>odds are you're just a bad writer. You can judge such things from less than a hundred words? Quick, judge me, what do these 27 words tell you about my status as a writer?
Isaac Phillips
>spat with debasement of comely speech, Jesus Christ.
Both of yours are awful, OP, but don't use this.
Xavier Ward
iwanttoliveinthatpicture
Robert Bennett
This is it, OP. This is the one.
Juan Russell
Is this supposed to be a Southerner drawling? Because no self-respecting good ole boy wouldn't want tomatoes.
Asher Brown
"No tomatoes," he drawled.
You're making this way too hard.
Jeremiah Hughes
Agreed. If you need to make a point about the accent, work it into the text around this sentence.
Elijah Rogers
>the offending fruit I think you should end it as soon as possible
Ryan Martinez
>Basically, do you think its alright to change language to denote accents in dialogue or should it be mentioned outside of the dialogue itself to avoid confusion?
No. It's fucking terrible and it shows a deep lack of understanding regarding spoken language. It makes me want to puke when I see authors doing this. I can barely read Steinbeck for this reason, it's just too ignorant.
Jackson Hernandez
What the fuck is this post? The second sentence is way worse than the first one, literally unreadable. First one is fine.
David Wood
>round O's as sideways A's Eww.
Daniel Flores
I'll stick with Dickens, thank you very much
Michael Ward
How do you denote the difference between the white man's "nigger" and the black man's "nigga" without the spelling change based on pronunciation?
Jose Ramirez
wew lad. Wait'll you get to Joyce...
Hudson Rodriguez
I'm from Texas and I say fuck tomatoes
Fucking slimy, disgusting balls of spit and shit.
Adam Harris
Joyce is the only person who could possibly act like Joyce and get away with it.
Learn to give sounds shapes, it makes learning languages easier
Andrew Jenkins
Are we reading the same OP? You NEVER use a fucking colon in fiction writing
Dylan Phillips
Show, don't tell.
Jack Taylor
High school tier "rule" that you need to learn to break if you want to be anything more than an hack
Anthony Hill
The first one in the op and this are the only acceptable ones. The others are either retarded or make it impossible to know what the fuck you mean.
Jaxon Robinson
disgusting
Luis Roberts
I'm fucking sick and tired of this shit. Everything in a book is telling. It's always the author telling you.
Connor Flores
well I gather you have either a tenuous grasp on the English language or a complete dearth of reasoning ability as in the beginning of my sentence I said >odds are which indicates an inference toward a probability.
Nathan Butler
You would not take the gamble if you didn't believe the odds favorable. The fact that you posted the judgement means you believe it to be true.
Christopher Baker
nah better follow the rules. The problem is a lot of ppl think theyre James Joyce when they aren't
Ayden Jackson
What cowardice
Ethan Reyes
Fuck off, memehead.
Jayden Thomas
>uses 1st Person >calls others memehead
Pottery
Henry Wilson
Best way:
>With his thick drawl replacing the o's in the offending fruit with a's, he asked "Please, no tomatoes."
Chase Bell
>Say the letters are being replaced >Don't replace them
What?
Jace Gutierrez
You don't need to describe a drawl as thick and you don't need to describe an accent as harsh. >"Please, no tomatoes," he replied, his drawl muddying the words to a paste. But then I have to ask, why is this sentence so significant? If it's really not a major point in your story, then just use >"Please, no tomatoes," he replied.
Adam Carter
>You don't need to describe a drawl as thick and you don't need to describe an accent as harsh.
Say's who?
Grayson Myers
Hating first person is the meme, you dip. It's like being into visual art but being like >euck acrylic oils? Dropped.
Bentley Davis
This. Show don't tell.
Luke Cook
...
Elijah Gonzalez
-- Ye want tomatas -- No he told the nig -- You sure -- I am sure He spat, and rode on.
Landon Murphy
>The use of dialect is easily overdone and requires the right touch, otherwise it becomes distracting and off-putting.
This. Show it phonetically, but using the absolute minimum. Just do it once, to establish the character's voice, and then do very minimal phonetic changes afterwards. They only need to be told / shown he has a strong accent once, then the reader will automatically add it for the rest of that character's sentences in that scene. Have the pov character recognize his accent in his thoughts if you want to create a specific known accent.
Aaron Foster
>"Please, na' tah-may-tahs," No tomatoes. It had taken him a while to get used to the accent.
Or something like that, with minor phonetic changes to speech afterwards.
John Campbell
good advice
Jason Brown
>Just do it once, to establish the character's voice, and then do very minimal phonetic changes afterwards.
You either do it every time or you don't do it at all.
> then the reader will automatically add it for the rest of that character's sentences in that scene.
No they won't
Leo Rogers
When a white man says it: >N*&$%r
What a n*&$%r says it: >100 >AYO >*smacks lips* >AYO SO U B SAYIN >*dabs* >SO U B SAYIN WE >*makes hit mumblerap record* >WE WUZ >*drops out of middle school* >WE WUZ NIGGAS >*takes boat to Liberia* >N SHIET? >*does the Liberia shake* >100
Adrian Turner
>I don't do it therefore no one does it >projecting this hard
>I do it therefore everyone does it >projecting this hard
Jose Taylor
user... Easy on the tomatoes.
Charles Peterson
Which is it, queer?
Robert Martin
...
Cooper Reed
>Translating within your own work
Fuck no. You either go for it or you don't, don't do this half-way pussy shit.
Benjamin Hughes
Don't be like that.
Angel Evans
Colons belong in shitty text books and political speeches; not art.
Tyler Powell
Look at this fuckwit trying to tell people what art should be.
Jacob Harris
Where's your manifesto, suckledick?
Caleb Martin
No, colons belong in your lower abdomen.
Charles Hall
Jesus, kid. You missed writing 101. Go back to the beginning.
Benjamin Brooks
>Joyce is someone to be admired, not copied. Joyce would have farted in your mouth and then fucked it for that comment, whore.
Aiden Roberts
Bespectacled fuck can try, but lord knows I'd kick his paddy ass all the way to Dublin and back.
I bet he potatoe eating motherfucker doesn't even lift
Josiah Wright
>>In a thick drawl he asked, "Please, naw tamatas," his accent harsh when it spoke of the offending fruit. What the fuck? Have you have heard a "thick drawl" before? I really wish you northerners would stop pretending to know anything about southern culture.
Charles Parker
>southern culture Implying there's any left.
Kayden Brown
My Alabama grandfather does the same shit.
When he asks for cigarettes, he asks for his "tabaca"