What would cubism look like applied to music? I couldn't find much about this, surprisingly enough.
What would cubism look like applied to music? I couldn't find much about this, surprisingly enough
Gabriel Carter
Xavier Thomas
Daniel Ortiz
The visual arts and music are very different.
To answer your question one has to first
1) decide the major elements of cubism
2) decide what (if any) musical ideas could correspond to these
3) experiment
For example, cubism often contains multiple angles of representation for a single subject from multiple perspectives at once.
A musical idea corresponding to this might be: the playing of music from multiple decentralized sources. Perhaps you could place microphones around an auditorium and then superimpose them in one recording.
But that wouldn't be terribly interesting and the end result doesn't seem to have a lot in common with cubism. That's, again, because visual arts and music are quite different.
Ryder Foster
Why do you believe Glass is cubist? I would agree he's certainly abstract, but I don't see much in common between minimalism and cubism aesthetically. If anything cubism is inherently maximalist
Jaxson Stewart
>it's another Philip Glass piece with extremely repettitive, arpegiated major and minor chord triads.
(by the way Philip Glass is usually associated with the artistic movement called minimalism. This is one interesting example where the visual arts and the musical arts can have basically the same idea and effect. In minimalism, highly simplistic, basic building-blocks are used to the exclusion of complex techniques. The result is the same: boring.)
Aiden Cox
> The result is the same: boring
smoke some weed will ya
Logan Martin
Aaron Sanders
I take it you're not especially musically inclined because there are many more relevant aspects of music that can be contexualized this way. For instance, you could use ambiguous harmonic function so that a chord has many different tonal implications at once. This is even something you can find in Bach apparently but admittedly, I'm not musical enough myself to identify it.
Oliver Ross
>Glass
Lincoln Allen
NiGGA, how can you make SOUND..........with a cube NIGGA HAAAAAAAAAAAAAAAAIEEEEEEEEEEEEEEEEEE
Robert Thompson
I guess if we were going by the sound through different perspectives definition, Ryoji Ikeda's Matrix is a great example of sound having different qualities and how it propagates depending on your listening environment. Zaireeka in its original form could also be a decent, more mainstream example, given that coordinating four separate audio CD's and their positioning makes the likelihood of listening to the same experience highly unlikely. But if you're like me, you'll just say, "Fuck it. I'm listening to a downmix/going to play Clouds Taste Metallic instead."
Leo Mitchell
Sebastian Long
I don't think a relatively unsophisticated work of dubious authorship is representative of Bach, least of all if you want to make the argument he's a cubist. Let's try that again.
Isaiah Stewart
The answer is this absolute lad
youtube.com
Gabriel Roberts
youtu.be
t.b.h
Cameron Gutierrez
Jewish modern "art" is degenerate.
This is true Aryan art.
Samuel Bell
youtube.com
it's literally that
Nathaniel Gray
Entartete Kunst
Kayden Anderson
Real Art
Kayden Cox
>All composed by schizophrenic Jews
Well imagine my shock
Liam Watson
Charles Powell
Christopher Gonzalez
Just cohencidences, goy.
Landon Hall
Intelligence is correlated with mental illnesses and/or being Jewish
William Lewis
did you or someone you know make this user? I mean there are a lot of serialist composers
Adrian Smith
Actually the more I think about it musical cubism, might be thoroughly unexplored.
>tfw not musical enough to pioneer a movement
Luke Collins
>What would cubism look like applied to music?
modal jazz