Discuss the viability of TSW as a tabletop setting.
Thinking of running a game in this setting, or something similar. Thoughts? Suggestions? I've always liked the premise of the game, even though the execution left a lot to be desired.
Discuss the viability of TSW as a tabletop setting.
Thinking of running a game in this setting, or something similar. Thoughts? Suggestions? I've always liked the premise of the game, even though the execution left a lot to be desired.
Also looking to discuss any other setting with horror and fantasy elements and/or urban magic in a modern setting
World of Darkness, Chronicles of Darkness, Delta Green, Urban Shadows, Unknown Armies, and Dresden Files all deal with this to varying degrees. What are you looking for in a game, super gritty horror, comic book-like monster fighting, playing the monsters yourselves, what?
The Condemned series is a pretty good example, if you're at all familiar with that. I like the idea of a standard modern, urban setting, but oh wait, now there are cults and monsters and nightmares in my city of generic criminals.
In this instance, setting and atmosphere are more important than the nature of the gameplay, which I can modify to fit my needs if it's for the sake of a good setting.
I'd go with Fate and then just rip off whatever you want from TSW in terms of story. I'm doing this with some friends and its working really well. I'd say dont be so up front about the factions or the mechanics of the secret world. Let them stumble into it on there own. Also, the filth makes a great opponent.
to make it all hang together in my own campaign i've scrapped the idea that the filth is extra dimensional and said that its the rotten runnoff of the world engines. The world engines are the remains of the antediluvian civilizations' probability engine and are responsible for magic working in the first place. This idea carriers forward as the meta plot for the rest of the game.
I hope this helps.
Did you have any ideas how you were going to run it? like story or content wise? What were you going to focus on?
TSW is basically just the backbone of the setting. That's the world they're in, and I don't want to focus much on the factions, and don't want to focus at all on existing characters or events from the game.
So far, it's set in a fictional city full of criminals and corruption and the like. Gangs, dirty cops, corrupt politicians, the works. I think I'm going to do a vaguely slice of life prologue where my players make throwaway characters who are visiting the historical district the city grew from, and everything is normal, and end it with some sort of disaster that will most likely kill the characters (hence throwaways) and suddenly unearth the Secret World on a city that knew nothing about it. The actual game would be set six months later, with the poorer districts bordering on post-apocalyptic, the wealthy districts either in denial or actively covering it up, with quests being an assortment of investigation, combat, and puzzles, which can be criminal, paranormal, or political (i.e. The mayor and main news outlets are covering this up. Uncover it, or keep it a secret?).
Like TSW, I want to do puzzles that will encourage my players to do internet searches and whatnot to find solutions to things they don't know, because that's what you'd do in that situation, rather than them rolling a die and me saying "you're stumped." It's set in modern day; Google is available to you.
Is there a text which condenses the lore for me to read and understand it better than those bee bits?
>condensed lore
Ok, Cutting it down to the complete bare bones
>World/reality goes in cycles.
>Magic was the previous power in charge and what are now demons were the main thing.
>Anima happened next and we are the main thing.
>Filth is next and bees are the immune system of anima trying to fight back.
Uh, not quite.
>World/reality gets reset after a while, each reset marks a new cycle.
>demons were the reigning civilization of one of the previous cycles.
>each cycle, the Filth attempts to assert itself in reality i.e. reshape reality into how certain eldritch gods see it.
>each cycle, the system built to contain all this --- that is, the Gaia Engines and associate anima --- initiates a reset when Filth shit gets too crazy.
>problem is, each reset is a little less thorough and each cycle is a little more vulnerable to the Filth
>players in the game are agents of the "immune system" --- white blood cells are a good analog --- who are trying to stem the Filth tide
>it is heavily implied we will never win.
The distinction I wanted to make was that the anime/filth tug-of-war has always been around, and has always been the reigning metaphysical conflict.
Sssssssssssssssssssssssssssssss-I am the change train-let me in.
Hiya, Chuck.
The important part is that the filth is coming to bring about change. Currently the filth is all sorts of messed up mockeries because it's how the other outside things see the world from where they are, distorted and crazy. Now that they have human eyes to see through they can get it right and bring about a new glorious future.
See you, Chuck ...
Factional response to having been asked to deal with localized filth-problem:
Templar response: We must crush the filth NOW! DEUS VULT!!!!
Illuminati response: Sure, We'll crush your local filth-problem; but what's in it for *us*?
Dragon response: How does crushing the filth now fit with the current model and projections?
Also: Don't make the protags mute, that'll take away some agency.
reap what you have sown, reap what you have sown, reap what you have sown..
TRANSMIT - initiate the retcon signal - RECEIVE - initiate the Samsara frequency - SORT YOUR PLASTICS AND METALS - initiate the prison syntax - WITNESS - fuck you, John
This thread has too much potential to die this soon. Bumping.
GURPS Cabal has a lot of similar elements, and a neat cosmology taken from hermetic occultism. It's focused on a single-but-divided supernatural conspiracy of wizards and monsters called the Cabal, which controls most of the world (warring with the Djinn and various other nasties). Their Filth-analogue is the Qlippoth, the corrupting horrors of the aborted reality that preceded ours.
Using that to flesh out some of the nitty-gritty of how magic works, with Ritual Path Magic for spells and Imbuements for weapons would work really well for TSW.
I would recommend using Delta Green the most. The high lethality actually makes the fact player characters can come back to life more meaningful.
I will say, one thing I've always wanted to do is run a campaign where the players are all students at Innsmouth Academy. Balancing school work, popularity among peers, and combating the occasional Wendigo attack or the Boogeyman drawing people to Atlantic Island Park. Like a spooky version of Harry Potter.
I would have a lot of fun with that campaign
Pact by Wildbow is also breddy gud
It's such a shame that TSW's best location is its first location. I mean, Transylvania is fun and all, but Solomon Island is one of the best areas I've run into in any MMO. Great story, atmosphere, enemy variety, relatable characters, varied environments, and some full blown scares. It's so good that nothing afterwards really compares.
Thank you anons.
>players in the game are agents of the "immune system" --- white blood cells are a good analog
Huh, my god of heroism treats adventurers like that.