seriously user?
Seriously user?
Gavin Phillips
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Jace Cruz
yeah, bro
Grayson Collins
do you even dark enlightenment?
Levi Fisher
I had to put down Nihil Unbound and stop for a week after he started attempting to make sense of Laruelle. And really the "attempting" part is all on me because I couldn't even tell whether or not Laruelle is bullshitting (well he is, but most Continentals means something under all the bullshit and I don't know about him). I just skimmed past it and started paying attention again in the next part.
Landon Parker
face tentacles on fleek
Joshua Smith
His account of being at Warwick during the last years of Nick Land are insightful. He mentioned walking into a lecture theater while one teacher played electronic jungle beats and Land layed on the ground making chirping and croaking noises.
Isaiah Gomez
damn, anglos really should stay the fuck out of philosophy
Thomas Myers
>hangs out with land once
Alexander Morgan
>HE'S SUMMONING AN EVIL SPELL, SHUT HIM DOWN
Nolan Scott
>Land lay behind the stage, flat on the floor (a ‘snake-becoming’ forming the first stage of bodily destratification), croaking enigmatic invocations intercut with sections from Artaud’s asylum poems. In this delirious vocal telegraphy, meaning seemed to disintegrate into sheer phonetic matter, melting into the cut-up beats and acting directly on the subconscious. As Land began to speak in his strange, choked-off voice (perhaps that ‘absurdly high pitched ... tone ... ancient demonists described as ‘silvery,’ which he later reports being taunted by) the disconcerted audience begin to giggle; the demon voice wavered slightly until Land’s sense of mission overcame his momentary self-consciousness; and as the ‘performance’ continued the audience fell silent, eyeing each other uncertainly as if they had walked into a funeral by mistake. Embarrassment was regarded by Land as just one of the rudimentary inhibitions that had to be broken down in order to explore the unknown – in contrast to the forces of academic domestication, which normalised by fostering a sense of inadequacy and shame before the Masters, before the edifice of what is yet to be learnt.