Poetry/Critique thread

Lets get a poetry-only critique thread going
>I'll go first

Nature Calls

Three men lay woke aside the parking lot;
Speaking of plans to pull the world so taut
That fi’re couldn’t cure them of their sins.
------------------------------------------------------------------

Nights whimpered in silent fear of what might become of them.
War slithered in, with sinister intent, speaking in eager whispers
In the ears of looming shadows that wept dry tears for sunlight.

Murmurs of discontent sprinted throughout: your home; your clique; your self.
Inching further for anger, blindness swept beneath your skull and latched into you,
Your sins are not your own.
Luring you further with malicious speak shrouded by a veiled innocence:
Hysteria lit the path with shadowed light from an envious lantern.

Cheered on by coats of tainted wool, and assailed by coats of tainted challis
You become conflicted.
What now?

Leering from platted comfortability, shadows hiss at you to march;
Indeed, you do, in fact, with many hesitations, and many trepidations,
But indeed, you do.

March

Splintered bones sizzle under a foreign star,
Trickles of sweat blister, embroider, infartar your brow.
Misguiding you moreso than pockets pretensely avowed
Like schoolgirls hand-in-hand, capped-‘n-gowned.
Smothered words nested in fear choked on bravado…

Bravo, Bravo!
The term is done!

Wormwood parties in your pit,
Your feather withers at the sun,
Enthralled in fear and shadow’s shit,
Your blindness turns to deaf’d the young.

>infartar means to strip bare

Other urls found in this thread:

theverboseauteur.wordpress.com/2016/05/27/out-of-africa/
twitter.com/NSFWRedditVideo

At the beginning I thought it was shit, honestly, but the more I read the better it seemed as a totality.

Overall, very good, but a bit obscure at parts.

Mine:

If you see kay
Tell him he may
See you in tea
Tell him from me

In China
Poems are scratched on the walls of a cave
Not seeking fame or fortune
Below them sits no name
Who is the author?
They grow between cracks and moss
A cold mountain wrote them
Did it not?

Impressing dead fibers with
laissez faire bright streaks
drawn to electric
and mindless, pointless, soundless
foundation lacking seismographs
without opponents to inspire
a metaphor of war, skirmish
vendetta to men dressed like
pink birds, waltzing with
their wallets
Contemptuous scribbling
in bad tasting, unclean
homosexuals mouths
Spewing vile velvet bile
under secure detriments placed
by blue black bangs
under a new sun.
4 Removal of deep
satanic bad devil
worshipping WORDS.
By Marx, Engel, Mussolini,
And George W. Bush
until happy lobotomies
fellate idols with
grotesque masks.
Laughing hysterical
suits, blue black
swine murder production line babies.

shiiet mane. what is your philosophy/politics?

The Cold Mountain namedrop is cheesy

Also, Chan/Zen poetry (which you seem to be aping) is generally much sparser in style than what you've written. Peeling off some words would make it more natural.

Nietzsche and Jung, as for politics I'm in turmoil between the naivete of libertarian politics and just rejecting it all in turn for a cynic view. Pretty idiotic!

is this one sparser?

What is the Buddha?
Three pounds of hemp.

What is the Buddha?
Vapor smoke in empty air.

Where is the Buddha?
Blue sky and clouds.

There is the Buddha.
Running water
Clouds.

As for the namedrop, I don't know how else I would convey the questino was it cold mountain or Cold Mountain who wrote the poems

Artificer’s Death (Bright and Gleaming)

Shining spikes of Giza stripped of quarry edge,
Glory flayed as skin, skin a hoary casing.
As the quarry was left a gash, you a skeleton—
Mountainous bones housing bones housing nothing.

Timelessness brought to an abrupt
End. The four humors became misaligned
As blood wore down the mountains,
And as men of blood trod down the banks.

The Nile became of blood, both vein and artery.
That cardinal humor spread blackward.
Wroth wine spilled from the hand of Mars,
Fermented mythologies ache, aching to speak.

Artifex working in Corinthian brass, your cannon
A trumpet, sound off as I strain my ears,
Yet still I fear that I may not hear
The writhing of Philomela.

be mean guys (but specific)

consider playing with 3rd person objective as opposed to 2nd person (not sure how, but it could open up some new lines at least that you might retain going back)
Ditch the 'like' in front of schoolgirls for a slightly more disjointed feel that may emphasize your wording.
The lone "March" is a little much for me, but with some stronger build up it could be justified
"Bravo, Bravo [...] term is done!" is a great little piece and your dampening with the lethargic last stanza shows good craftsmanship

I read "Spewing vile velvet bile" as
>Spewing bile, velvet bile
at first and think I prefer it that way, but that reflects my own style more than yours maybe
This is angerier than I'm used to reading so I'm a little out of my depth here in the rest of this:

>by blue black bangs
this hammers a little to hard on the alliteration for me

The political name-dropping is something that I feel like is risky, but could pay-off to the right audience.
"happy Lobotomies" is too smug

great use of color and tricolon

Monsters rise from the ground,
wrought from iron, glass, and concrete.
An old world under shadows drowned, their conquest nearly complete.

Grotesque forms rise to the skies,
Heavens territory is ceded.
The old from consumption dies,
its ancient spirit depleted.

Soulless blocks of glass now stand,
where once stood old forms proud.
Gone are the days of beauty grande,
replaced with a more modern brand.