>I don't understand from your argument
I was attempting to express what I have found and considered to be the potential reasoning behind why there are any people who are hesitant, resistant, to all in race mixing (as I have seen on /pol/).
Music or architecture. Some people do complain about modern music and modern architecture being ugly. There are still classical recordings, there are still classical examples of architecture, but lets say some exploration group came across a lost tribe of people who had no contact with humanity for 100,000 years, lets say there were 100 people, and they were astonishingly unique in appearance ( I mentioned in one of my responses, I am not sure collectively, the resistance, where the percentages of importance lies in relation to 'purely aesthetic' and 'culture'), does 'beauty' mean anything (of course, considering that every possible human is beautiful in their own way), it may be difficult to image, as there are already so many different types of human looks, there being such a starkly unique, looking human tribe, but lets try to imagine an exploration team coming across one.
And so we invite them to civilization, and then time goes on, and they start race mixing, all of them, with unique races, 10 years, 40 years, 70 years, 300 years. and then eventually, how those found 100 appeared, may not exist, and may not ever again. You might say, this does not really matter or mean anything, this is not important in any way, and you might be right.
It also might be said, as I said, there are ethnicities which number in the billions, a sea compared to the droplet of 100.
What do you think of, after the holocaust, the jewish people wanting to make an effort, to strongly breed among jews to keep their numbers up? If after the holocaust an exponential trend of race mixing occurred, eventually, the jewish people might look different (which an overwhelming many might suggest could be a good thing)
I guess there is also the fear, of little by little, chipping away at the aesthetic, could include chipping away at the culture.
And I think there is a natural inclination, for some people at least, to feel comfortable around people that look like them, and think like them. To not be the black sheep, or ugly duckling. The cries heard from /pol/ are merely desires, and loves of ones kind, and desires for ones kind, aesthetic and culture, to grow in number and strength, instead of dwindle.